❤Mail Art & Photography: Involved in mail art and photography, contributing, for example, to the documentation of New York mail artists.
Location & Background: He is now based in Montreal, Canada, having arrived from Vietnam.
Exhibitions & Collections: His work is featured in the collections of institutions like the Musée national des beaux-arts du Québec - MNBAQ.
Digital Presence: His work can be found on sites like Flickr and in the Dictionnaire des artistes de l'objet d'art au Québec.
His work is also documented within collections focusing on his Mail Art, as seen on his portfolio page La Toan Vinh - You are not alone.
LA TOAN VINH
His work is recognized within the context of art archives, such as the Malaysia Design Archive and studies on William S. Wilson's collected writings, which highlight his role in the "art of friendship" within the conceptual art world...
👉Following his time in the camp, La Toàn Vinh continued his artistic work, with later work noted in New York, focusing on visual poetry.
👉1-
Clayhouse in Lũng Cú
2025,acrylic on canvas
👉-2
Motherland
Chacoal on paper
👉
👉
👍✌️
❤❤❤❤❤❤❤❤❤❤❤❤
This is a handmade Korean Buncheong ware tea bowl featuring a distinct brown iron-painted design on a light-colored slip.Buncheong Ware: This type of pottery, known for its casual, artistic style, was most prominent in Korea during the early Joseon Dynasty (15th–16th century).
The item shown is a Korean Buncheong ware tea bowl, likely dating to the early Joseon Dynasty.
Type: Traditional ceramic tea bowl (chawan).
Design: Features iron-colored scrolling vine motifs painted over a white slip glaze.
Technique: Known for its rustic, spontaneous appeal created with quick brush strokes.
Usage: Historically central to the Japanese tea ceremony, emphasizing appreciation of natural beauty.
❤
This item is a Korean Buncheong style tea bowl, or chawan, featuring traditional iron-painted decoration.
It is crafted using stoneware, utilizing a slip-coating technique characteristic of the Buncheong tradition.
The vessel showcases stylized, painted motifs in iron pigment, often depicting abstract or scrolling designs.
While similar in form to Japanese Karatsu ware tea bowls, this specific style is highly collectible and revered for its rustic aesthetic.
CA$1,093.40
Handmade Buncheong Dawan Tea Bowl: Korean Wood Fired Pottery
Daurim
👉Cultural Significance: Buncheong bowls were widely used during the early Joseon Dynasty (15th-16th centuries) and influenced Japanese tea ceremony pottery.Artisan Techniques: These vessels are often wood-fired and handmade, resulting in unique variations in color and design for each piece.
5 out of 5 stars ok
❤🫖👨❤️💋👨🤷👹👹🙌
VIÊT NAM
This is a very nice stoneware bowl made in Vietnam probably around the 15th c - 16th c although it may be a little earlier. The decoration is in underglaze blue which looks black in places. There is a scrolling border on the outside and inner rim and a floral design to the centre. It may well have been recovered from a shipwreck but I can't be certain.
The condition is good but as you can see it has suffered some production faults such as a glaze run to the interior which has left some streaks and a pool in the centre partially obscuring the decoration. The glaze, which has not covered the bowl entirely, is beautifully crackled but has flaked in a few places, and some areas are stained. There is a rough area on the side of the foot, under the glaze, which is fingertip sized and possibly caused by where it was held when dipped in the glaze; an adjacent indentation might be the impression of the finger nail. please let me know if you need more photos. The interior of the base has been coated in a brown slip.
Regarding the photos, it was quite hard to catch the colour correctly, it is more of a warm oatmeal colour. The dimensions are variable as this is another piece with slightly undulating rims (it wobbles a little) but approximately, it is at most 6.3 cms high and 14.3 cms in diameter. It weighs 275 g.
Ref: I13Y0CCLFC
1🌷🌷
The seal stamp in the image reads "陈芳新制" (Chén Fāng Xīn Zhì), written in traditional Chinese Seal Script (Zhuan_shu).Here is a breakdown of the characters and their layout:Character LayoutThe characters are arranged vertically from right to left, which is the traditional Chinese standard for seal stamps:
The stamped seal mark on the base of this Chinese Yixing Zisha clay teapot reads “周桂珍制” (Zhōu Guìzhēn Zhì), which translates to “Made by Zhou Guizhen.” [1]
About the Artisan
Identity: Zhou Guizhen (born 1943) is an incredibly renowned Chinese master potter and artist, officially recognized as a National Master of Chinese Industrial Arts.
Style: She is celebrated The image shows the bottom seal of a Chinese Yixing Zisha clay teapot.The Characters: The mark is written in traditional Chinese Seal Script (篆书). Read from top-right to bottom-left, the characters are 陈芳新印 (Chén Fāng Xīn Yìn), which translates to "Seal of Chen Fangxin".The Artist: Chen Fangxin (陈芳新) is a contemporary Chinese ceramic artisan specializing in crafting Yixing purple clay teapots, frequently producing traditional shapes like the Xishi (西施) style.The Style: The impression
👉
Mail Art and Visual Arts: He is a noted mail artist, contributing to international projects, and his work, which includes drawing and mixed media, can be explored through his Flickr photo stream.
Education and Career: He studied at the Université du Québec à Montréal (UQAM) and is based in Montreal, Canada.
Institutional Recognition: His artwork is represented in the Musée national des beaux-arts du Québec (MNBAQ) collection.
Vietnamese Heritage Museum
Vietnamese Heritage Museum
+6
Additional work and personal reflections on his time as a refugee can be seen on the...
❤👉👍✌️
😜👹🫖👨❤️💋👨
Artistic Style: His work involves mixed media, monotype, and collage, with a listing in the Dictionnaire des artistes de l'objet d'art au Québec.
👉This item appears to be a vintage hand-carved wooden double flute, often categorized as a folk musical instrument.Design and Features: These flutes are crafted from wood and feature ornate, hand-carved geometric or symbolic patterns along their surface. They typically consist of two parallel pipes, sometimes connected, with a varying number of finger holes—commonly 3 or 4 per pipe.Origin: Such instruments are
Origin: Such instruments are found in various regions, including the Balkans (known as a dvojnice or kaval) and Southeast Asia (such as Myanmar).Condition: Many similar examples are sold for decorative purposes because they may not be accurately tuned for musical playability.
EBay 250
